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  • Interview with Photographer Doug McGoldrick

    Interviewed by William Grant

    Doug McGoldrick is a fascinating man. I met him while attending Columbia College Chicago where he teaches photography classes part-time. When I took his class, I was in the process of creating a new photographic series that I was incredibly passionate about. Doug was one of the biggest influences for me during that time. His encouragement and insight helped push me to create some of my best work.

    When I was assigned the task of interviewing an artist for Hair Trigger 2.0, I immediately reached out to Doug. From my time working with him, I knew he would make for an interesting interview. He’s done a bit of everything and seems to always be ready for something new and compelling. In the interview below he tells me about his passion for photography, his favorite things to shoot, and how he defines his success.

    Will Grant: When did your passion for photography begin?    

    Doug McGoldrick: When I was in grade school my dad was an amateur photographer, and we would sometimes go out on weekends and take nature photos together. What sparked it? Getting photos back from the camera store and seeing my photos when I was a kid was super exciting.

    WG: You’ve done a wide variety of work ranging from weddings to industrial factories to motorcyclists and more. Is there one subject you’ve done that interests you the most or is there fun in always changing?

    DM: For me whenever I can get to see behind the scenes someplace where most people don’t get to be, I’m happiest. I think in my heart doing documentary-type work is my favorite. I think part of it is, growing up I was very shy and bringing my camera into a place to take pictures gave me a reason to talk to people.

    WG: Do you have other non-photographic hobbies and do they ever bleed into your photographic work?

    DM: I do a lot of painting and drawing and they tend to go together with my photography nicely. Also bike racing and motorcycles are things I’m into, taking photos in those communities gives me an excuse to talk to people and get more involved than I would normally be.

    WG: Is there a series/subject matter that you’d like to explore in your work that you haven’t yet?

    DM: Oh man, so many. I would really love to go on tour with a dance company or band and shoot everything. Also any sort of big, dirty industry.

    WG: You’re a part-time teacher at Columbia College Chicago. What is a key piece of advice you share with all your students? What is something unexpected or valuable that you’ve learned from your students?

    DM: Lately I’ve been teaching a business of photography class and I like to let all the students know that in the photo biz moreso than almost any other, competition is incredible and to make it you need to be a person who hustles harder than the rest. I’m always learning so much from the students, a lot of it is tech stuff, but to me the most exciting thing is seeing how people's way of seeing the world changes.

    WG: How do you define success and, by your definition, do you consider yourself successful?

    DM: I think if you are making your living from photography you are in a sense successful, because it’s really hard. In my head I have this picture of success where I’m not pushing myself out there for work but work is just coming to me; I don’t think I’m there and probably nobody really is. Sometimes I feel like a success, sometimes I don’t. I was talking to another photographer recently, joking about how some months you want to start driving for Lyft and some months you feel like you could buy a Tesla. It’s a strange biz but way better than going to an office every day.

    See more of Doug’s work at dougphoto.com


    William Grant is a Photography and Fiction Writing major at Columbia College Chicago. He enjoys broccoli and Anna Kendrick.

    1. Meet Hair Trigger 2.0's New Editor-in-Chief: An Interview with Jennifer Bostrom

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    Interviewed by Ben Kowalski

    Jennifer Bostrom graduated from Columbia College Chicago's Creative Writing (Fiction) major in May 2016. She was the Production Editor for Hair Trigger 38 and was a contributor and intern at Hypertext Magazine online. She has been appointed to be the Editor-in-Chief of Hair Trigger’s online edition.

    I had a chance to sit down with Jennifer Bostrom to talk about Hair Trigger, its new website, and the creative writing community at Columbia.

    Ben Kowalski: What attracted you to Hair Trigger, originally?

    Jennifer Bostrom: Coming into the department, Hair Trigger was one of the main things I often looked forward to not only reading but [also] aspiring to each year. As a student, it was really nice to be able to read stories written by my peers that were [on] a professional level. I looked forward to editing because [editing] was an experience that I had before, so it gave me the opportunity to grow up professionally and in my own writing.

    BK: What do you hope to bring to Hair Trigger as its online Editor-in-Chief?

    JB: The idea for Hair Trigger [Online] is to introduce it to a national audience. I’m hoping that I can bring the Columbia spirit to a national audience because it’s funny, it’s dark, [and] it’s experimental. It’s not [the kind of] fiction—and in some cases Creative Nonfiction—that I see in many places, so I’m hoping that we can broaden the audience.

    BK: How do publications like Hair Trigger affect Columbia’s creative writing community?

    JB: [It’s] an anthology of my peers—I work on their writing with them or I listen to their writing in class. It’s sort of a way for me to not only see my peers’ work come to fruition as a published piece but it’s also a way to expose students to what fiction can be. It’s a way to show them how experimental or how silly or how crazy a piece can be—it’s not just Pride and Prejudice or Shakespeare. It’s much more fun and “out there,” but still very literary.

    BK: Has working with Hair Trigger informed your fiction writing in any way?

    JB: From the writing side, it forced me to step outside of my comfort zone. As an editor, it forced me to view my pieces from a much more critical lens. I started focusing a lot more on how I said things, or how I punctuated, even—whether I was supposed to use the em dash or a semicolon, whether things should go in italics. It forced me to elevate the standard to which I held my own writing. 

    BK: What is your biggest challenge as a writer and editor?

    JB: My biggest challenge as a writer would definitely be my own self-censorship about whether or not I should write things or whether I should send them out to places. As a writer who edits their own work, I try to be very careful about not over-editing my own pieces because [you are] your own harshest critic. I edit out things that are written from [an] emotional basis, or edit too much, [or] edit out the thing that really should have stayed in there because it was hard-hitting and honest. 

    As an editor, the hardest thing is editing too much, or editing to honor a piece and that author’s intent or that author’s voice. You never want to over-edit [or] overstep your bounds.

    BK: Is there anything else you’d like to add?

    JB: I hope that we can successfully bring this magazine to a broader audience and honor the tradition that we have with the Creative Writing Department.


    Ben Kowalski is a BA Nonfiction senior at Columbia College Chicago, creative nonfiction writer, copy editor and contributor at the award-winning Columbia Chronicle (2015), and music critic at Pop'stache.com (2014–2015). Ben is currently working on an essay collection about music, and his album reviews can be found at http://popstache.com/author/bkowalski/.